One leaves Exhuming GluttonyВ feeling in need of a shower.

These are not the neatly shorn furs of hats and mufflers but complete bodies with missing eyes and jaws ripped open. In a final, almost grotesque display is a pile of animal pelts hung on the walls. Above the long table are suspended bottles of wine, which are fitted with special nozzles that slowly release the liquid held within at a creeping pace, creating deep stains in the wood table and suffusing the air with an alcoholic humidity. The floor is littered with hair one of the paneled walls is seemingly shot up. Audience members enter a long dining room, a visceral repository for the rot of a relationship gone bad. Wangechi MutuвЂ™s Exhuming Gluttony: A LoverвЂ™s Requiem (2006) is similarly immersive. The CavemanвЂ™s obsession is the mantra вЂњ1 Man = 1 Man,вЂќ and his cave is littered with high theory and literature-by the likes of Noam Chomsky and Martin Luther King, Jr.-to prove this, even if the outside world refuses to reflect this truth. Entering through an opening in a gallery wall, viewers walk into a maze of duct-taped spaces that gives way to an area where the Caveman, a character Hirschhorn imagined, resides. вЂњIt is striking how awe-inspiring and viscerally impactful large-scale installations usually are.вЂќДЄmong the artworks that viewers can inhabit is Thomas HirschhornвЂ™s CavemanmanВ (2002). вЂњLarge- scale installations are where artists go when they want to make their dreams come true,вЂќ said Dimitris Paleocrassas, the exhibitionвЂ™s curator, who has acted as a consultant to DaskalopoulosвЂ™s collection.

The show is a collection of stunning installations by artists like Maria Loizidou and Damien Hirst that are given the sprawling space they deserve. Greek Mega-Collector Gives 100 Artworks as Joint Gift to Guggenheim and MCA ChicagoДЇuture Perfect: 'Born in Flames' at the Bronx Museum of the Arts

Museum of dream space